Abstract TheJoyLuckClubisthefirstnovelofAmyTan,afamousChineseAmericanwriter。InthenovelshemainlydescribestherelationshipbetweentheJoyLuckClubmothersandtheirdaughtersandculturalconflicts。ThenovelissetintheageofglobalizationandinthemulticulturalAitrepresentstheprocessofmisunderstanding,conflicts,understandingandblendingbetweenthemothersandthedaughters。GlobalizationnotonlybringsmanychancestochinabutalsobringsculturalchallengestoChina。Asthedegreeofglobalizationisgettingdeeper,Chineseculturefacesthedangerofbeingintegratedandchangedbyothercultures。ThroughcontextualanalysisoftheJoyLuckClubandtheculturalconflictsandblendingembodiedinit,thispaperdemonstratesthatintheageofglobalizationabalanceshouldbekeptamongdifferentcultures,andarightattitudetowardsculturalconflictsshouldbetaken,anditsuggeststhatthenativecultureshouldnotbethrownawaywhenlearningfromothers,andinstead,itshouldbetransmittedtoothers。 KeyWords TheJoyLuckCculturalblending 摘要 《喜福会》是著名美国籍华裔女作家谭恩美的处女作,作者在小说中主要描述了四对移民母女的关系和她们之间由于文化的差异而引起的冲突,小说以全球化时代和美国多元文化社会为背景,呈现了4对母女由误会,冲突到理解的过程。在全球化环境下中国面临很多发展的机遇,但更多的是文化的挑战。随着全球化的加剧,中国文化面临一种被融化,被改变的危险。本文通过对《喜福会》文本及其所透视出的文化冲突与融合的分析,说明在全球化环境中,应该在不同文化中找到一个平衡点,并以正确的态度来对待文化冲突,同时不要轻易否定母文化,在向全世界学习其他优秀文化的时候,也要向他们传播中国传统文化。 关键词 《喜福会》;冲突;理解;文化融合 Introduction InthenovelTheJoyLuckClub,AmyTanexplorestherelationshipbetweenmothersanddaughters。Thereare4motherdaughterpairsinthenovel,mothersarethefirstgenerationimmigrants,andthedaughtersareborninAmerica。TheJoyLuckClubmotherscomefromtheChinesetraditionalfamilieswhenthedictatorialChinesepowerisdestroyedbytheJapaneseinsurgentsinthe1940s。TheyescapefromthepoliticalupheavalofChina,buttheydontforgettheirChinesetraditionalculture,whiletheirdaughtersareborninAmerica,theyarethesecondgenerationimmigrants,andtheydontunderstandtheirmothersChineseculture,andtheirwayofthinking,sothereareoftenmisunderstandingsbetweenthemothersandthedaughters。InordertomaketheirdaughtersknowthemandtheChineseculture,theJoyLuckClubmothershavemadepaintakingeffortstoremovetheirdifferences。Theyseizeeveryopportunitytotelltheirdaughterstheirpastexperiences,demonstratetheircouragetochallengethefeudalsocietyandneverstopextendingmaternallovetotheirdaughters。Thankstotheirgreatefforts,theirdaughtersgraduallyunderstandthemandtheChineseculture。Therefore,culturalunderstandingandblendingbetweenthemothersanddaughtersareachieved。 Inthecontextofglobalization,Cmeanwhileitfacesmorechallengestoitstraditionalculture。WiththedevelopmentofChinaseconomicpower,Chinaplaysamoreimportantroleintheworld。ThecommunicationwithothercountriesandareaswhoseculturalbackgroundsaretotallydifferentfromChinasisincreasingrapidly。Thispaper,throughtheexplorationofTheJoyLuckClub,mainlydiscussestheculturalconflicts,understandingandintegrationbetweenthemothersandthedaughters,andmetaphoricallybetweenChinesecultureandAmericanculture。 IAmyTanandHerNovelTheJoyLuckClub AmyTanwasborninOakland,California。BothofherparentswereChineseimmigrants。Herfather,JohnTan,wasanelectricalengineerandBaptistminister。InChina,hermotherDaisyhadporcedanabusivehusbandbutlostcustodyofherthreedaughters。ShewasforcedtoleavethembehindwhensheescapedonthelastboattoleaveShanghaiin1949。HermarriagetoJohnTanproducedthreechildren,Amyandhertwobrothers。AmyTan’sfamilyisatypicalimmigrantfamily,herparentsarethefirstgenerationimmigrants,andsheisthesecondgenerationimmigrant。 Shehasexperiencedthesamekindofconflictswhichsheportrayedinthenovel。SheandhermotherwereinconstantconflictwhenshefinishedthehighschoolinSwitzerland。Sheandhermotherdidn’tspeakforsixmothsafterAmyTanlefttheBaptistCollegehermotherchoseforhertofollowherboyfriendtoSanJoseCityCollege。TanfurtherdefiedhermotherbyabandoningthepremedcoursehermotherhadurgedhertopursuethestudyofEnglishandlinguistics。 Inthenovel,JingMeiabandonedstudyingpianohermotherhopedhertostudy,becauseshewasallergictohermother’sarrangementforher。AmyTanandthedaughtersinthenovelhavesomethingincommon。Theyarethesecondgenerationimmigrants。Butthemothers,asthefirstgenerationimmigrants,theydon’ttotallyintegrateintheAmericanculture。TheycannotspeakEnglishwithfluency。TheyneverdiscardthetraditionandneverforgettheirlivesinChina。 Theyshowtheirlovefortheirdaughtersbyplanningthedaughters’futureandinterferingintheiractivities。Tothemothers,theyhavethecompulsoryandresponsibilitytotraintheirdaughterstobecomeperfectpersons。TheywanttomaketheirdaughterscombinetheAmericanContextwithChinesePersonalityperfectly。Theirdaughters,however,areoftenbornandgrowupinAmerica,andaredeeplyaffectedbytheAmericanmoralstandardandactingprinciples。Theycherishtheirindependentspiritsandcharacters,andtheyarenotwillingtobeinterferedandcontrolledbyothers。Theirnarrativesjustifythepuzzle,andtheconflictsbetweentwogenerationstheyface,whentheyspanthedifferentcultures。Theyviewtheirmothersasthefossilsoftheoldsociety,becausetheyfearandhatetheirmothers’interferenceandnegationontheiractivities。WhentheirmotherstelltheirstoriesinChinatheyexpresstheirdetestationonit,whentheirmotherswanttopasstheirChineseculturaltraditiontothem,theyareagainstitfirmly。Withtheclashofdifferentcultures,thetwogenerationshavedifficultiesincommunicatingandunderstandingeachother。 Butthenoveldoesn’instead,intheprocessofgrowinguptheyunderstandtheirmothers’loveandtheculturalreasonsoftheconflictsbetweenthemselvesandtheirmothersinadeeperlevel。Therefore,attheendofthenovel,thereconciliationbetweenmothersanddaughtersformsnaturally。JingMeitakeshermother’splacetotravelbacktoChinawhichprovestheunderstandingbetweenthetwogenerations。 WhenAmyTanembarkedonhernewcareerhermotherwasill,shepromisedherselfthatifhermotherrecovered,shewouldtakehermothertoChina,toseethedaughterswhohavebeenleftbehindalmostfortyyearsago,Mrs。TanrecoveredandtheydepartedforChinain1987。ThetripwasarevelationforTan,anditgaveheranewperspectiveofheroftendifficultrelationshipwithhermother。 。TheConflictsBetweenAmericanandChineseCultures EmbodiedintheNovel TheJoyLuckClubpresentsmanyconflictsinthemotherdaughterrelationship。Theconflictsareembodiedin3aspects。First,themothersandthedaughtersareindifferentculturalbackgrounds,andthedaughterscannotunderstandtheirmothers。Atthebeginning,JingMeifearsthatshecannottellhermother’sstorytoherhalfsisters,which,infact,reflectsthefearofotherdaughtersoftheJoyLuckClubmembers。TheyhaveidentifiedthemselveswithAmericans。JingMei’sfearalsoreflectsthemothers’commonfeelings。TheyofferthechancetogotoAmericatotheirdaughters,theywonderwhethertheyhavetheirdaughtersawayfromtradition。SointhestoryTheJoyLuckClubJingMeifeelspuzzled,WhatwillIsay?WhatcanItellthemaboutmymother?Idon’tknowanything。(Tan26)Thewayinwhichthemothersexpresstheirlovecannotbeacceptedbythedaughters。JingMeibelievesthathermother’sconstantblameistheembodimentoflackingofaffection。However,infact,themother’sseverityandhighexpectationsareexpressionsofloveandfaithinherdaughter。Othermotherdaughterpairsexperiencethesamemisunderstanding。Insomeways,thismisunderstandingcomesfromculturaldifferences。TheChinesetraditionalconceptssuchasfilialobedience,criticismenvelopedexpressionoflovearealldifferentfromtheAmericanconceptssuchastheinpidualism,freedom,selfesteemanddirectexpression。 ThemothersintheTheJoyLuckClubhopethattheirdaughterscangetclosetothemastheyweresoclosetotheirownmothersinChina。Forinstance,Ammei’sPopotellsherthathermotherisaghosttomakeAmmeiforgethermother。AlthoughAmmeihasn’tseenhermotherforyears,shegetstolovehermotherwhenhermothercombsherhair,andallthesethingstheydoareasnaturalastheydothemeveryday。AndAmmeisays,Thisishowadaughterloveshermother。Itissodeepitisinyourbones。(Tan41)whenshehasseenhermothercuttingherfleshtocooksoupforherPopo。 ButinAmerica,childrenalwaysdonotfollowallthattheirparentstellthemandbehavewhattheywantto。Theyemphasestheirinpidualityanddonotthinktheyhavesodeeprelationshipwiththeirmothers。SowhenLindoasksherdaughterWaverlytofinishhercoffee,Waverlysays:Don’tbesooldfashioned,Ma。I’mmyownperson。(Tan227)However,Lindothinkssheisalwaysbesideherdaughter,andshenevergivesherdaughterup。 PerhapsLindoexperiencesthelargestcrisisofculturalidentityamongthecharacters。SheregretshavinggivenWaverlytheAmericancontext,atthesametime,givenherChinesecharacter,butthetwocanneverbecombined。InthestoryofDoubleFace,Lindosays: Iwantedmychildrentohavethebestcombination:AmericancircumstanceandChinesecharacter。HowcouldIknowthesetwothingsdonotmix?Itaught〔mydaughter〕howAmericancircumstancework:Ifyouarebornpoorhere,it’snolastingshameInAmerica,nobodysaysyouhavetokeepthecircumstancessomebodyelsegivesyou。Shelearntthesethings,butIcouldn’tteachheraboutChinesecharacterHownottoshowyourownthoughts,toputyourfeelingsbehindyourfacesoyoucantakeadvantageofhiddenopportunitiesWhyChinesethinkingisbest。(Tan227) ShethinkssinceshegivesherdaughtertheAmericanname(thenameoftheroadtheylivein),sheletsherdaughterbetooAmerican,andthisbecomesthebarrierbetweenthem。Butatthesametime,sherealizestheAmericancharacterinherself。SheknowsthatsheisnolongerChinese。WhenshetravelstoChina,theChinesetreatherasanoverseatraveler。Sheisverysad,andshewonders,intheprocessofchangingherself,whatshehaslost。HerstrategiesofconcealinginnerpowersislikewhatWaverlysaysthatitisrelatedwithherabilitytomaintaintwoaspectsofcharacterAmericanandChinese。 Second,inthenovel,thecommunicationproblemsalsoarisebecausethemothersarefromChina,whiledaughtersarebornintheUnitedStates,theirculturalbackgroundsaredifferent,andalsobecausetheyspeakdifferentlanguages。Forexample,Junesays,MymotherandIneverreallyunderstoodoneanother。Wetranslatedeachother’smeaningandIseemedtohearlessthanwassaid,whilemymotherheardmore。(Tan27)JSuyuan,ontheotherhand,looksformeaningsinwhathasnotbeenstatedandaddsmanythingstowhathasbeenstatedandcomesupwithmeaningsthatsurpriseherdaughterJune。 Third,themothersandthedaughtershavetotallydifferentexperiences。ThemothershavebeentoAmericaduringtheWorldWar,whenChinawasintrudedbyJapanesearmy。TheycometoAmericawiththeirAmericandream。TheyhavesufferedalotbeforearrivingAmerica,andtheycometoAmericatosearchabetterlifeputtingalltheirhopeinAmerica,butafterlivinginAmericaformanyyears,theyfeelthattheylosesomeoftheirChinesetraditionandtheytrytoholdfastoftheChinesetraditionandpassittotheirdaughters。ThedaughtersareborninAmerica,theydon’tappreciatetheChinesetraditionandviewtheirChinesehistoryasabarriertotheirdreams,theyresenttheirmotherpouringtheChinesetraditiontothemandtheirChinesewayoflove,sotheydothingsoppositetowhattheirmothertoldthemtodotodisappointtheirmothers。InthestoryTwoKindsJingMeisays, Itwasnottheonlydisappointmentmymotherfeltinme。Intheyearsthatfollowed,Ifailedhersomanytimes,eachtimeassertingmyownwill,myrighttofallshortofexpectations。Ididn’tgetstraightAs。Ididn’tbecomeclasspresident。Ididn’tgetintoStanford。Idropedoutofcollege。(Tan124) 。TheCulturalUnderstandingandBlending AlthoughAmyTanmainlydescribestheculturalclashesinhernovel,herrealaimistoexploreabalanceofculturalconflicts。Animportantthemeofthenovelisthereconciliationofthemulticulturalclashes。Fromthebeginningofthenovel,JingMeiviewsthegapbetweenherandhermotherfromtwoaspects,andthisdoublepointofviewdoesn’temphasizethegenerationgap,butinstead,itworksasthebridgeofthecommunicationbetweenthetwogenerations。Inthethirdpartofthenovel,thefourdaughtersnarratetheirdilemmasaftertheygrewup,problemsintheirmarriageandintheircareers。Althoughtheythinktheirmothers’ideasareoutofdate,whentheysearchforthesolutions,theyinevitablycomebacktotherelationshipwiththeoldergeneration。Atlast,mothersoffersolutionsandsupporttotheirdaughters,forexample,RoseHsuJordanfindsherselfunabletopersistinherideas,toprotectherselfortomakeanydecisions。AlthoughsheexpressesherideasbydisobeyinghermothertomarryTed,shestillmakesherselfthevictimtoTed。Athome,Teddecideseverything。Atlast,sheneedshermother’sinterventiontorealizethattorefusetomakedecisionisitselfadecision。Thelasttwogroupsofstoriesdemonstratethattheculturalunderstandingandblendingareformed。 AlthoughJingMeifearsthatshecannottellthewholestoryofhermother,SuyuanrunsthroughthenovelwithJingMei’svoice,andJingMeispeaksforhermotherinthefirstandfourthsections。Suyuan’sstoryrepresentsthestruggletomaintainthemotherdaughterbondsthroughculturalandgeneralgaps。JingMei’striptoChinanotonlymakesreconciliationbetweenSuyuan’stwodifferentlifestyles,butalsothereconciliationbetweenculturesandmotherdaughterrelationship。Inaddition,thejourneybringshopetoothermotherdaughterpairs。Sotheycanreconciletheoppositionsinthelivesbetweenpastandpresent,betweencultures,andbetweengenerations。 Theunderstandingandreconciliationbetweenmothersanddaughtersareshapedgradually。Asinthelastpartofthenovel,JingMeiandherfathergotoChinatolookforJingMei’shalfsisters。WhentheyarriveinGuangDongandseeherfather’saunty,shestillcan’tunderstandhermother’swordsofhowtorebuildJingMei’sgenometoletherbeaChineseagain。AfterJingMei’sfathertellsherSuyuan’sstoryaftersherunsawayfromGuiLin,sheknowswhyhermotherleavesthetwinsontheroad。Atthattime,shefeelsshejustknowsalittleabouthermotherwhohasgoneawayforever。WhensheseeshersisterssherealizestheChinesequalitywhichishiddeninherbodyandtotallyunderstandshermother。 Inthismulticulturalnovel,theauthormakesusunderstandthegenerationalandculturaldisparity。Thedaughtersoncethinkthattheirmothers’Chineseculturalbackgroundisthebarrierofcommunication。Theycannotunderstandtheirmothers’beliefandtheirwaysoflove。Butwhentheymeetsomedifficultiesintheirlife,theyturntotheirmothertofindhelp,andfromtheirmothers’stories,theyfinallyunderstandtheirmothers。YingYingbeginstochangeherselfonlywhensherealizesthatshehaspassedherpassivityandfatalismtoherdaughterLena。Sheseesthesadnessofherdaughter’smarriage,andurgesherdaughtertotakeanactiveposition。InthestoryWaitingbetweentheTrees,YingYingsays: Herwisdomislikeabottomlesspond。Youthrowstonesinandtheysinkintothedarknessanddissolve。Hereyeslookingbackdonotreflectanything。IthinkthistomyselfeventhoughIlovemydaughter。SheandIsharethesamebodythereisapartofhermindthatispartofmine。Butwhenshewasborn,shesprangfrommelikeafish,andhasbeenswimmingawayeversince。Allherlife,Ihavewatchedherasthoughfromanothershore。AndnowImusttellhereverythingaboutmypast。Itistheonlywaytopenetrateherskinandpullhertowhereshecanbesaved。(Tan216) AmyTanshowsusthatapersoncanremainselectiveofherculturewithoutgivinguptheheritageofhertradition。Atthebeginningofthenovel,JuneWoosays,MymotherandIspoketwodifferentlanguagesItalkedtoherEnglish,sheansweredbackinChinese。(Tan20)butafterhertriptoChina,shesays:Mymotherwasright,IambecomingaChinese。(Tan239)ThelastpartofthenovelQueenMotheroftheWesternSkiesrepresentsthetheme。Themothersarequeenmother,whosewisdomthedaughtersshouldlistento。Tfinally,Junevisitsherhalfsisterstofulfillhermother’swish。 。ACorrectAttitudeTowardsCulture AnunprecedenteddevelopmenthappenedinAmericaduringthe20thcentury。Thisrapiddevelopmentoneconomyhasacceleratedtheworldwideimmigration。TherearemoreandmorepeoplewhoputthemselvesintothetotallynewAmericancontextwhileleavingtheirhomeland,beingseparatedfromthehistoricalandculturalbackgroundtheyusedtoliveinforpolitical,economic,scientificandculturalreasons。Asthelivingenvironmentisgraduallychanging,theseChineseimmigrantshassomethingchangedintheirmind,inotherwords,theyfeelthattheirhistoryisgraduallyfadingaway,especiallytheiroffspring,losetherelationtotheirnativeculture。Thesecondandthirdgenerationimmigrantsdon’tkeeptheirfamilytreeanymore。Theycancelthememoryoftheirelderfamilymembers,andtheyalwayscan’tunderstandthewordsoftheirparentsandthelegendarystoriesoftheirancestry。Theylosethememoryoftheirownnation’shistoryandtheculturalsymbolwhichmatchwiththeirfiguresandstation。Thesepeople,suchasAmyTanandotherChineseAmericanwritersaswellasthedaughtersinTheJoyLuckClub,arebornandgrowupinAmerica,sotheydon’trealizethemeaningoftheiryellowskinanddarkhair。TheyfeelconfusedandembarrassedtolosetherelationshipwithhistoryonlywhentheyareconsideredasChinesebyothers,buttheyknownothingabouttheirnativeculture。 AlthoughChinesepeoplearedeeplyaffectedbythewesternculture,especiallyAmericanculture,intheprocessofglobalization,moreandmorepeoplerealizethatChineseculturehasitsownvalue,anditcannotbeeliminated。Chineseculturecanabsorbothercultures’essenceandcankeeppacewiththeworld’sdevelopmentdespitethebackwardaspectofit。 Cultureshouldbetreatedseriously,andanythingthatbelongstoculturecan’tbediscardedeasily,suchasthedragonsymbol。DragoninChineseculturesymbolizesthestubbornnessandtheChinesenation,butinwesternculture,itsymbolizestheevil,sosomeonearguestocancelthedragonsymbol。Morepeople,however,arguethatthedragonsymbolcouldnotbecancelled,foritistherootandthemostimportantthinginChineseculture。IfitwerecancelledmanyChineseidiomsandexpressionswouldlosetheirroot,suchaslongtenghuyueandlongmajingshen。ChinesepeopleshouldhaveconfidenceonCourowncultureshouldbetransmittedtootherssothattherewillbelessdifficultiesintheprocessofcommunication。 ThewesternersviewChinaasaclosedcountryandthepeopleareconservative,lackingofcreativity,soacorrectattitudetoourcultureshouldbeheld。Attheendofthenovel,theunderstandingandreconciliationnotonlyshowstheauthor’sinheritanceofChinesetraditionalnovels,butmoreimportant,embodiesacorrectattitudetowardsculture,thatis,toinheritthemothercultureandtoabsorbthenewcultureandtofindbalancebetweencultures。Today,inthemulticulturalcontext,ifthetraditionalChinesecultureisgivenup,therewouldbenobridgebetweentraditionandnewcultures,butifonlythenativecultureistakenseriouslyandthedifferencesbetweenculturesisexaggerated,theconflictsbetweencultureswillbemoreintense,andthen,therewillbenohopeofpeace,commondevelopmentandprosperity。 Conclusion InthenoveltheJoyLuckClub,AmyTandescribestheconflictsbetweenthemothersandthedaughters。Themisunderstandingsbetweenthemothersandthedaughtersinthenovelarecausedbythedifferentculturalbackgroundsandexperiences。Fortunately,throughpainfulefforts,themothersandthedaughtersbegintounderstandandcommunicateeachotherattheendofthestory,whichmetaphoricallydemonstratesthetransitionoftherelationshipbetweenChineseandAmericanculturefromconflictstoblending。 AstoourChineseculture,itfacesmanychallengesinthecontextofglobalization。Althoughlearningnewtechnologiesfromothercountriesandabsorbingtheessenceofotherculturesarenecessary,Chinesecultureshouldbeprotected。Historyandpresentinteractseachother,andtheyinheriteachother。Theresnocountryintheworldwhichcanignorethepastwithtoday’sprosperity。Ifanyoneforgetshispast,andloseshishistory,hewillbecomeapersonwithouthistoryandtradition,andhecannotreallylocatehimselfinthemulticulturalsociety,andhewilllosethebaseofdevelopment。TheCtheChineseAmericanshistorywhichisbestowedbytheirnatureshouldntbeignored,andthisistherealreasonforthemotherstotrytocombinetheirhistorywiththeirlivesinAmericanandpassthemontotheirdaughters。Inthissense,theaimofrecallingthehistoryistograspthepresentandthefuturebetter。 Bibliography http:academic。brooklyn。cuny。eduenglishmelanics6tan。。 〔3〕Shear,Walter。TheJoyLuckClubGenerationDichotomyofCulture。1993。 http:www。questia。comPM。qst?d95179434。 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